An original visual language where shapes, colours and lines converge towards an unconditional composition by visual references of the real world. An eye-catching contrast, where Arthur Rackhan's illustrations happen and come in a generative audiovisual aesthetics, almost to represent the comparison between the Symbology of the Norse myth and Wagner's imagination.
The projection in the public space is an invitation to approach the genre of the work in a visceral and emotional way, an incentive to the involvement of art in the society.